Pink Floyd The Wall Cd2 Rar

Running time95 minutesCountryIrelandUnited KingdomWest GermanyLanguageEnglishBudget$12 millionBox office$22.2 millionPink Floyd – The Wall is a 1982 British directed by with animated segments by, and is based on the 1979. The film centres around a solitary rock star named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist.Like its musical companion, the film is highly, and symbolic imagery and sound are present most commonly. The film is mostly driven by music and does not feature much. Gerald Scarfe drew and animated 15 minutes of animated sequences, which appear at several points in the film. It was the seventh animated feature to be presented in.

The film is best known for its imagery of mental isolation, drug use, war, dark or disturbing animated sequences, sexual situations, violence and gore. Despite its turbulent production and the creators voicing their discontent about the final product, the film has since fared well generally, and has established. Contents.Plot Pink is a rock star, one of the many reasons which have left him depressed. At the beginning of the film, he appears motionless and expressionless, while remembering his father (', Part 1'). While Pink imagines a crowd of fans entering one of his concerts, but him receiving them in a alter ego, a reveals how his father was killed during, in Pink's infancy ('). The aftermath of the battle is seen ('), and thus, Pink's mother raises him alone, which affects Pink's childhood (', Part 1').A young Pink later discovers a scroll from and other relics from his father's military service and death ('When the Tigers Broke Free, Part 2').

An depicts the war, showing that the death of the people was for nothing ('). Pink places a bullet on the track of an oncoming train within a tunnel, and the train that passes has children peering out of the windows wearing face masks.At school, he is caught writing poems in class and humiliated by the teacher who reads a poem which is the song '. However, it is revealed that bad treatment of the students is because of the unhappiness of the teacher's marriage ('). Pink imagines an oppressive school system in which children fall into a meat grinder.

The children then rise in rebellion and destroy the school, carrying the Teacher away to an unknown fate ('Another Brick in The Wall, Part 2'). As an adult now, Pink remembers his overprotective mother ('), and when he got married. After a phone call, Pink discovers that his wife is cheating on him, and another animation shows that every traumatic experience he has had is represented as a 'brick' in the metaphorical wall he constructs around himself that divides him from society (').Pink then turns to a willing ('), who has managed to trick her way into his hotel room only to trash it in a fit of violence, terrifying the groupie out of the room ('). Depressed, he thinks about his wife, and feels trapped in his room ('). He then destroys his last possessions, and remembers every 'brick' of his wall ('Another Brick in The Wall, Part 3'). His wall is shown as being complete, and the film returns to the first scene (').Now inside his wall, he does not leave his hotel room (').

He begins to lose his mind to metaphorical 'worms'. He shaves all his body hair, and watches on television ('). A flashback shows young Pink searching through trenches of the war ('), eventually finding himself as an adult. Young Pink escapes in terror, and appears in a station, with the people demanding that the soldiers return home ('). Returning to the present, Pink's manager finds him in his hotel room, drugged and unresponsive. A paramedic injects him to enable him to perform (').In this state, Pink fantasises that he is a dictator and his concert is a neo-Nazi rally (').

His followers proceed to attack ethnic minorities ('). He then holds a rally in suburban London, symbolising his descent into craziness ('). The scene is intercut with images of animated marching hammers that across ruins. Pink then stops hallucinating and screams, begging for everything to stop (').In a climactic animated sequence, Pink, depicted as a small, almost inanimate rag doll, is on trial, and his sentence is 'to be exposed before his peers.'

His teacher and wife accuse him, while his mother tries to take him home. The judge gives the order to 'tear down the wall'. Following a prolonged silence, the wall is smashed and destroyed (').Several children are seen cleaning up a pile of debris, with a freeze-frame on one of the children emptying a (').Cast. See also: Concept In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces.

You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars—film stars, rock 'n' roll stars—represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.Waters was also dismayed by the 'executive approach', which was only about success, not even attempting to get acquainted with the actual persons of whom the band was composed (addressed in an earlier song from, '). The concept of the wall, along with the decision to name the lead character 'Pink', partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd 'explored (. ) the hard realities of 'being where we are', echoing ideas of alienation described by such as. Development.

The animation segments, including the 'marching hammers', were animated by Gerald Scarfe.Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the, with Scarfe's animation and extra scenes. The film was going to star Waters himself. Did not intend to make the film, as they did not understand the concept.Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be.

EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with musician and frontman of the, Bob Geldof. In, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who told Waters about Geldof's opinion.Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at from 13–17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast lenses needed for the low light levels turned out to have insufficient resolution for the movie screen.

Complex parts such as ' still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall. One of the masks worn by children in the classroom scenes; displayed at the exhibitionParker, Waters and Scarfe frequently clashed with each other during production, to the point where the director described the filming as 'one of the most miserable experiences of my creative life.' Scarfe declared that he would drive to carrying a bottle of, because 'I had to have a slug before I went in the morning, because I knew what was coming up, and I knew I had to fortify myself in some way.'

During production, while filming the destruction of a hotel room, Geldof suffered a cut to his hand as he pulled away the Venetian blinds. The footage remains in the film.

It was discovered while filming the pool scenes that Geldof did not know how to swim. Interiors were shot at, and it was suggested that they suspend Geldof in 's clear cast used for the flying sequences, but his frame was too small by comparison; it was then decided to make a smaller rig that was a more acceptable fit, and he lay on his back. In 's book, Saucerful of Secrets: The Pink Floyd Odyssey (1991) it is claimed that the body cast from the movie was actually used instead.The war scenes were shot on in North Devon, which also featured on the cover of Pink Floyd's six years later. Release The film was shown 'out of competition' during the.

The premiere at Cannes was amazing – the midnight screening. They took down two truckloads of audio equipment from the recording studios so it would sound better than normal. It was one of the last films to be shown in the old Palais which was pretty run down and the sound was so loud it peeled the paint off the walls.

It was like snow – it all started to shower down and everyone had dandruff at the end. I remember seeing there, who at the time was head of, sitting next to. They were only five rows ahead of me and I'm sure I saw Steven Spielberg mouthing to him at the end when the lights came up, 'what the fuck was that?' And Semel turned to me and then bowed respectfully.' What the fuck was that?,' indeed. It was like nothing anyone had ever seen before – a weird fusion of live-action, story-telling and of the surreal.The film's official was at the in London, on 14 July 1982.

It was attended by Waters and fellow Pink Floyd members and, but not, who was no longer a member of the band. It was also attended by various celebrities including Geldof, Scarfe,. Box office and critical reception. So it's difficult, painful and despairing, and its three most important artists came away from it with bad feelings. Why would anybody want to see it?

Perhaps because filming this material could not possibly have been a happy experience for anyone—not if it's taken seriously.The film opened with a on 6 August 1982 and entered at No. 28 of the US box office charts despite only playing in one theatre on its first weekend, grossing over $68,000, a rare feat even by today's standards. The film then spent just over a month below the top 20 while still in the top 30. The film later expanded to over 600 theatres on 10 September, achieving No. 3 at the box office charts, below,.

The film eventually earned $22 million before closing in early 1983.The film received generally positive reviews. Reviewing The Wall on their television programme in 1982, film critics and gave the film 'two thumbs up'. Ebert described The Wall as 'a stunning vision of self-destruction' and 'one of the most horrifying musicals of all time. But the movie is effective.

The music is strong and true, the images are like sledge hammers, and for once, the rock and roll hero isn't just a spoiled narcissist, but a real, suffering image of all the despair of this nuclear age. This is a real good movie.' Siskel was more reserved in his judgement, stating that he felt that the film's imagery was too repetitive. However, he admitted that the 'central image' of the fascist rally sequence 'will stay with me for an awful long time.'

In February 2010, Roger Ebert added The Wall to his list of 'Great Movies,' describing the film as 'without question the best of all serious fiction films devoted to rock. Seeing it now in more timid times, it looks more daring than it did in 1982, when I saw it at Cannes. It's disquieting and depressing and very good.' It was chosen for the opening night of 2010.currently ranks the film with a critics' review rating of 68% (based on 25 reviews). Wrote that the 'picture is unrelentingly downbeat and at times repulsive. But I don't find it unwatchable – which is more than I could say if had directed this.

The cinematography by is extremely impressive and a few of the individual scenes have undeniable power.' Waters has expressed deep reservations about the film, saying that the filming had been 'a very unnerving and unpleasant experience. We all fell out in a big way.'

As for the film itself, he said: 'I found it was so unremitting in its onslaught upon the senses, that it didn't give me, anyway, as an audience, a chance to get involved with it,' although he had nothing but praise for Geldof's performance. David Gilmour stated (on the ' episodes of The Wall, A Momentary Lapse of Reason and ) that the conflict between him and Waters started with the making of the film. Gilmour also stated on the documentary Behind The Wall (which was aired on the in the UK and in the US) that 'the movie was the less successful telling of The Wall story as opposed to the album and concert versions.' Although the symbol of the crossed hammers used in the film was not related to any real racist group, it was adopted by white supremacist group the in the late 1980s. It earned its creators two British Academy Awards; 'Best Sound' for, Eddy Joseph, Clive Winter, Graham Hartstone & Nicholas Le Messurier; and 'Best Original Song' for Waters. Themes and analysis It has been suggested that the protagonist stands in some way for Waters.

Beyond the obvious parallel of them both being rock stars, Waters lost his father while he was an infant and had marital problems, divorcing several times.It has also been suggested that Pink represents former lead singer, writer and founding member, both in his appearance as well as in several incidents and anecdotes related to Barrett‘s descent from pop stardom due to his struggles with mental illness and self-medicating with drugs. One seemingly blatant reference is Pink‘s detachment from the world as he locks himself away in his room before a show and shaves himself down while suffering a mental break. During a mental breakdown, Barrett shaved his head and face before showing up to a band rehearsal (after already having been removed from the band). However, Bob Geldof, who plays Pink in the film, refused to shave his head for this part of the performance. Another influence was the declining state of pianist, who was allegedly struggling with addiction at the time.

This is referenced in the song: Got a grand piano to prop up my mortal remains.Romero and Cabo place the Nazism and imperialism related symbols in the context of 's government and British foreign policy especially concerning the. Home media Pink Floyd – The Wall was released on VHS in 1983 (MV400268), 1989 (M400268), 1994 (M204694) by, and 1999 (CV50198) by.The DVD was released in 1999 (UPC: 95) and 2005 (UPC: 95) by.Awards List of awardsAwardCategoryRecipient(s)ResultBest Original SongRoger Waters For the song 'Another Brick in the Wall'WonJames GuthrieEddy JosephClive WinterGraham V. HartstoneNicolas Le MessurierWonSaturn AwardBest Poster ArtGerald ScarfeNominatedDocumentary A documentary was produced about the making of Pink Floyd – The Wall entitled The Other Side of the Wall that includes interviews with Parker, Scarfe, and clips of Waters, originally aired on in 1982. A second documentary about the film was produced in 1999 entitled Retrospective that includes interviews with Waters, Parker, Scarfe, and other members of the film's production team. Both are featured on The Wall DVD as extras.Soundtrack Pink Floyd - The Wallby. 'Released: 26 July 1982The film soundtrack contains most songs from the album, albeit with several changes, as well as additional material (see table below).The only songs from the album not used in the film are ' and '.

'Hey You' was deleted as Waters and Parker felt the footage was too repetitive (eighty percent of the footage appears in montage sequences elsewhere) but is a bonus feature on the DVD release under the name 'Reel 13'.A soundtrack album from was listed in the film's end credits, but only a single containing 'When the Tigers Broke Free' and the rerecorded 'Bring the Boys Back Home' was released. 'When the Tigers Broke Free' later became a bonus track on the 1983 album The Final Cut.

Guitarist David Gilmour dismissed the album as a collection of songs that had been rejected for The Wall project, but were being recycled. The song, in the edit used for the single, also appears on the 2001 compilation album.Changes on the soundtrack album:SongChanges' 1New song, edited into two sections strictly for the film, but later released as one continuous song. The song was released as a single in 1982 and was later included on the 2001 compilation and on the 2004 re-release of.' 'Extended/re-mixed/lead vocal re-recorded by Geldof.'

'Extended/re-mixed with additional piano overdub in second verse, baby sounds removed.' 'Extra bass parts, which were muted on the album mix, can be heard.' When the Tigers Broke Free' 2New song.' Helicopter sounds dropped, teacher's lines re-recorded by.' 'Re-mixed with extra lead guitar, children's chorus part edited and shortened, teacher's lines re-recorded by McAvoy and interspersed within children's chorus portion.'

'Re-recorded completely with exception of and its backing track. The lyric 'Is it just a waste of time?'

Is replaced with 'Mother, am I really dying?' , which is what appeared on the original LP lyric sheet.' 'A full-length song which begins with the music of, and a similar lyric to '. This was intended to be on the original album, and in fact appears on the original LP lyric sheet. At the last minute, it was dropped in favour of the shorter 'Empty Spaces' (which was originally intended as a reprise of 'What Shall We Do Now'). A live version is on the album.' 'Screams added and phone call part removed.

The phone call part was moved to the beginning of 'What Shall We Do Now?' Groupie's lines re-recorded by.' 'Shortened and remixed.' 'Re-recorded completely with a slightly faster tempo.'

'Classical guitar re-recorded, this time played with a leather pick by guitarist, as opposed to the album version, which was played finger-style by Joe DiBlasi.' 'Musically unchanged, but with different clips from the TV set.' 'Re-recorded completely with and Welsh male vocal choir extended and without Waters' lead vocals.' 'Re-mixed with Geldof's scream added. Bass line partially different from album.' 'Re-recorded completely with brass band and Geldof on lead vocals.' 'Re-mixed and shortened.'

'Shortened but with extended coda.' 5:11 AM (The Moment of Clarity)'Geldof unaccompanied on lead vocals. The song is taken from, a Waters wrote simultaneously with The Wall, and later recorded solo. Geldof sings the lyrics to the melody of ', a song intended for The Wall that later appeared on.' 'Re-recorded completely with Geldof unaccompanied on lead vocals. (The audio in the background of this scene is from Gary Yudman's introduction from The Wall Live at Earl's Court.)'Re-mixed.'

'Re-recorded completely with brass band and Welsh male voice choir. Extended with a musical passage similar to ' from The Final Cut.In addition to the above, 's rendition of ' was used as background music during the opening scenes. Chart positions YearChartPosition2005Australian DVD Chart#10References.

Pink Floyd es una banda de rock brit??nica, considerada un icono cultural del rock del siglo xx y una de las bandas m??s influyentes en la historia de la m??sica, que obtuvo gran popularidad gracias a su m??sica psicod??lica que evolucion?? Hacia el rock progresivo con el paso del tiempo. Es conocido por sus canciones de alto contenido filos??fico, la experimentaci??n s??nica, las innovadoras portadas de sus discos y sus elaborados espect??culos en vivo.

Sus ventas sobrepasan los m??s de 300 millones de??lbumes vendidos en todo el mundo, 5 de ellos solamente en los Estados Unidos. Inicialmente el grupo estaba formado por el baterista Nick Mason, el teclista y vocalista Richard Wright, el bajista y vocalista Roger Waters y el guitarrista y vocalista principal Syd Barrett, quien se convirti??

En el primer l??der de la banda. Bob Klose fue guitarrista inicialmente por un corto tiempo, pero no lleg?? A aparecer en ning??n disco. El extra??o comportamiento de Barrett, causado por el excesivo consumo de drogas, especialmente LSD, hizo que su amigo David Gilmour se uniese al grupo en enero de 1968, cristalizando as??

La formaci??n cl??sica del grupo tras la marcha de Barrett en abril de ese mismo a??o. Pink Floyd comenz?? Con gran??xito en la escena underground londinense a finales de los a??os sesenta, con Syd Barrett como principal compositor. La salida de Barrett hizo que el cantante y bajista Roger Waters se convirtiera gradualmente en la fuerza conductora y dominante en la primera mitad de los a??os setenta, la??poca de mayor??xito en ventas de la banda, hasta su abandono en 1985. El grupo grab??

Durante esta??poca muchos??lbumes que se convirtieron en grandes??xitos comerciales, como The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977) y The Wall (1979). Durante las sesiones de grabaci??n de The Wall el bajista Roger Waters expuls??

De la banda al teclista Rick Wright debido a que estaba disconforme con sus aportes al??lbum. En 1983 el grupo lanz?? El disco The Final Cut el cual tuvo un modesto??xito comparado con sus obras anteriores y la banda ni siquiera sali?? En 1985, Waters declar?? La extinci??n de Pink Floyd se??alando que la banda estaba agotada creativamente. Los dem??s miembros, Gilmour y Mason, se negaron a aceptar esta decisi??n y continuaron con el grupo por lo cual Waters los demand?? Reclamando parte de los derechos de la marca Pink Floyd.

Waters perdi?? En tribunales pero lleg?? A un acuerdo con Gilmour y Mason obteniendo los derechos exclusivos sobre toda la imaginer??a que desplegaban en sus conciertos (incluido su famoso cerdo volador) y los derechos sobre el espect??culo audiovisual de The Wall (excluyendo los tres temas que compuso Gilmour para la obra:??Young Lust??,??Run Like Hell?? Y??Comfortably Numb??) y sobre todos los temas incluidos en The Final Cut, mientras que el resto del grupo pod??a seguir usando el nombre de Pink Floyd sin problemas.

Tras superar estos problemas legales, Gilmour y Mason volvieron a llamar a Wright para grabar el disco A Momentary Lapse of Reason (1987) logrando gran??xito mundial, sin embargo, Wright particip?? Solo como teclista asalariado y no como miembro oficial de la banda. Esto fue solucionado en el siguiente??lbum The Division Bell (1994) en donde Wright se reintegra nuevamente como miembro oficial del grupo. Este es el??ltimo disco de estudio de la banda en el que ya aparecen Gilmour, Mason y Wright como componentes de Pink Floyd.

Waters, por su parte, se embarc?? En una carrera como solista y no se volvi??

A reunir con Pink Floyd hasta 24 a??os despu??s, el 2 de julio de 2005, en el concierto Live 8 en Londres. En noviembre de 2014 sali?? A la venta The Endless River, el??ltimo disco de estudio de la banda, que contiene en gran medida material grabado durante las sesiones de grabaci??n de The Division Bell entre 1993 y 1994 sin contar con ning??n aporte de Roger Waters.Discograf??a:Pass. In The Flesh. The Thin Ice. Another Brick In The Wall (Part I).

The Happiest Days Of Our Lives. Another Brick In The Wall (Part II). Mother. Goodbye Blue Sky. Empty Spaces.

Young Lust. One Of My Turns. Don't Leave Me Now. Another Brick In The Wall (Part III).

Goodbye Cruel World. Hey You. Is There Anybody Out There. Nobody Home.

Pink Floyd The Wall Album

Vera. Bring The Boys Back Home. Comfortably Numb.

Pink Floyd The Wall Movie

The Show Must Go On. In The Flesh.

Pink Floyd The Wall Cd2 Rare

Run Like Hell. Waiting For The Worms. Stop.

The Trial. Outside The Wall.